Showing posts with label fire. Show all posts
Showing posts with label fire. Show all posts

Thursday, 28 February 2013

FINISHED!

There have been times when I really doubted this day would come, but I am now pleased to announce I have finished my outcome piece!!!!! All that's really left to do now is finish off my final evaluation and I've finished this project. I really really cannot believe that after a year and a half of work I'm pretty much done, I thought I'd be over the moon to be finished but part of me is sad it's over because I really have loved doing it! And now I present to you, my final piece:

Final piece

Outcome - Stage III

It turned out I ended up making so many changes to my final piece after having had feedback from my tutor. She advised me that I should have used more of the unusual  and interesting techniques I'd used throughout the project so I set to work planning out how to do this. I'd thought including too many techniques would over-complicate things but I can now see that if I'm careful it can still work.

Messy Sarah
For the air section I wanted to include spray painting as that had been one of the prominent techniques I'd used for air in the rest of the project. I designed and cut out a variety of stencils of birds and butterflies, which I then spray painted on in the same colour scheme I'd used previously in this project. I'm quite messy when it comes to spray painting, and the fact that it was windy didn't really help me either so I had to paint out some of the background with white acrylic paint, where the paint had blown.

Birds and butterflies
I'd also drawn in a flame shape, which is shape of flame I'd initially planned to paint around the lion. Instead of painting straight onto the mural, I did a practice painting first on one of my previous lion drawings. For this I used oil paints over a base of melted wax candles which I'd molded to shape - a technique I've also used previously in this project.

Lion emerging from the flames
Although I liked this painting, it would've been too overpowering to go on my actual mural design so I sketched out an idea with smaller flames before adding it on to my mural, along with the wax. The way I've painted on the flames make them look more like an extension of the mane and they merge much better with the drawing style of the lion.

Lion and flames
I also painted in a smokey effect around the lion, using the spray paint that had blow into the surrounding areas, to help it blend into the air area above it.

Air and fire areas
The next thing I did was some water experiments with bleach and ink, but they didn't work so well because the surface of my mural was hardboard which was too porous and therefore too absorbent, so the ink just soaked into it and practically disappeared. The photos below show the ink before it was absorbed into the hardboard, but I didn't wash it off and it can now barely be seen on my final piece. Leaving the ink and bleach on the surface just added a little bit of an extra water-like appearance.

Water experiments
I thought drip painting would work well to enhance the appearance of the jellyfish so I did some experimenting with this technique before adding it to my mural.

Jellyfish experiments

Drip painted jellyfish on mural
Following this I planned how I could link the areas of water and air together a bit better and thought that some spray painting would work well. I drew out and cut out some stencils of starfish and combined these with some stencils of birds and butterflies I'd used previously and laid these out as a plan on my mural design before spray painting them on.

After I'd done the spray painting
Planning the spray painting














The last few changes I made were changing one of the mushrooms to a jellyfish - surprisingly enough it was the one in the water area; changing the drawing style of the mushrooms so they had a less cartoon-like style to them, which I did using conte crayons; adding in some colour to the background of the lion; and drawing in some more flowers. So my outcome piece is now FINISHED!! But I think I could maybe squeeze in one more post, so check out the next post to see my COMPLETED outcome piece!!

Monday, 25 February 2013

Outome - stage II

In my previous post I'd got to the stage where I'd planned the location of the background images and following on from that I drew them all in using mainly sharpie marker pens to achieve the result shown in the photo below.

Addition of background images
I'd left the gnomes arms unfinished because I wasn't certain of exactly how I'd draw them and wanted to take the background images into consideration. I drew these on next, as well as extending the fairy's arm so that it doesn't look like it's just been cut off and adding in extra pattern in the fairy's wing in a similar style to the pattern on the butterflies' wings.

Changes made to the fairy and gnome
At this stage I originally thought I had completed my mural, but after uploading it for my tutor to see, she thought it could still be improved so there were more changes I made to it, which I will explain in a third post.

Outcome - stage I

I started my outcome piece with a massive piece of hardboard measuring 85cm by 135cm, which with help from my dad, I covered completely in white emulsion. Following this I drew out the four main images of the mermaid, fairy, gnome and lion in pencil and drew out lines of where I planned the four sections of colour would go. I went over the pencil outlines in black marker pen so that my drawings could be painted over but would still show through.
Initial 4 drawings in black marker pen
I started with the water section, which I painted the background of using acrylic paint in blue tones with spray paint drips for an extra water effect and then drew on the mermaid using a combination of blue sharpie pens and fineliners. Apparently textured acrylic paint seems to be one of the few surfaces sharpies don't want to draw onto though!

Mermaid drawing and background
After I'd done the background of the mermaid I did the background of the gnome,  which was also done using acrylic paints - brown, green and white - and drew the gnome on using twig and ink based on the drawing I'd done previously. I omitted the pipe because I thought it would be more appropriate at the location of a family friendly music festival.

Gnome drawing and background (and you can can also see my messy working area)
Following the gnome I painted the background for the fairy using mainly white acrylic paint, mixed in with some pale blue and grey-ish shades too and then drew on the fairy with pencil.

Fairy drawing and background
Before drawing the lion I had some experimenting that needed to be done. I had originally planned to draw the lion in sharpie pens so needed to experiment on a separate page whether this was something that would actually be achievable and my outcome of drawing the lion with sharpie pens wasn't great. Once I'd decided I would use conte crayons for this lion drawing too I experimented with different potential background colours on a separate page. The conte crayons didn't really show up against any of these background colours so I just chose to keep the background white and then possibly paint round my drawing of the lion at a later stage.

Lion drawing
I hadn't done an exact plan of the locations of the background images and motifs to this was something I did next by drawing them onto my mural design with pencil and painting some areas out in white acrylic paint.

Planning the locations of background images and motifs
This post seems to be getting rather long and picture heavy now, and I've come to the end of the first stage of how I designed my mural so it seems like a good time to move onto another post.


Planning my outcome piece

My outcome piece ended up taking so long to plan. I sketched out a lot of different compositional ideas on different shaped canvases, including various aspects of each of the elements. I had no idea where to start so thought I'd sketch a potential separate composition for each of the four elements and then start to see how I could bring it all together.

Initial 4 composition ideas
I included various aspects for each of the elements and then also looked at how I could include pattern. Following this I did some more sketches, inspired by some of my mural research, that tried to link all of the elements together, but ended up over-complicating things as can be seen in the images below.


Composition ideas

Further composition ideas
Idea of incorporating all the elements into the fairy's wing

Idea incorporating all the elements - too busy
Once I'd done all these sketches I could see that the ideas weren't really that successful. My favourite idea of these was incorporating the elements into the fairy's wing but my tutor suggested I looked back at the compositions I'd used for my initial mythical research sketches and use these to inspire my final outcome instead.

Using the four main images I planned to use in my final piece, which were the lion, the gnome, the fairy and the mermaid, I experimented with various layouts of these until I found one I liked.

Experimenting with layouts
I was happy with this layout idea so I went on to sketch it out and to start planning colour ideas and the materials and techniques I'd use for it.

Final compositional sketch
Initially, I was going to use oil paint so the first colour swatches I did were with oil paint. I knew it took a long time to dry but had forgotten quite how long and seeing as I would be drawing on top of the paint and adding layers over it, I needed something much more fast drying so did some further colour experiments with acrylic paint.

Oil paint colour experiments
 The oil paint colour swatches were to experiment with which colour choices I would use to represent each of the different elements and to experiment with potential background colours too. I wasn't quite happy with the background colours so used acrylic paint to do further experiments for these.

Acrylic paint colour experiments
Then using the relevant media I also added on drawings of the gnome, fairy and mermaid to see how they would word against the background colours.


Saturday, 23 February 2013

Dragon

I messed around with the order a bit again and this piece of work is something I went back to at the end once I had spare time but is relevant to the fire section of the development. It is one of the pieces of work that I'm most proud of from during this project. I had planned in my timetable to do a drawing of a dragon and/or lion and since I had the time thought I may as well do the drawing of the dragon too.

I'd been looking into buying Letraset Promarkers for a while but was always put off due to their high price. Fortunately I'd recently bought a large selection of colours of Sharpie markers and a good price and learnt that they could be blended in a similar way to the Promarkers. Before using them for my dragon drawing I wanted to experiment first and drew a couple of daffodils with them to try out the technique.
Daffodil drawing
Once I was confident with the technique needed I begun work on the dragon drawing. I drew the outline in fineliner and then used a combination of Sharpie pens and charcoal to add the shading and tone.

Outline

Final outcome
I'm particularly proud of the outcome of this, especially since it's in a different style to the rest of my work - much more illustrative - and is done using a medium I have little previous experience with.

Thursday, 21 February 2013

Rising from the Ashes

I'd used melted wax previously in my project and felt it was a clever technique with an unusual outcome so wanted to use it again when developing the element of fire. The main thing that comes to mind for me when thinking of the mythical aspects of fire is the phoenix, so I chose to do a painting of a phoenix incorporating the use of wax surface texture.

I melted the wax and spooned it out using two teaspoons and shaped it with my hands and the spoons. Following this I painted over it with oil paints to create a picture of a phoenix.

Wax underlay 

Final outcome of the phoenix painting
The problem with this painting is the markings on the background of it so I will have to find out a way to neaten this out.

EDIT: I've now gone back to this piece of work and edited it to neaten up the background. I originally planned to just paint over the marked areas but really struggled to get the colour exactly right so ended up re-painting the whole background. I think this has made it look so much better and more vibrant in contrast with its background.

Final outcome of phoenix - take two 


Rawr

An animal that I relate to fire is the lion, especially if it is roaring and has a massive mane. I think this is due to the similar colour palette of lions and flames and a lion's fiery personality. Having made the link between fire and lions, I chose to draw a lion as part of the development section of my project using conte crayons.

Final outcome of the lion drawing

Sunday, 20 January 2013

Further mythical research - sketches

Another section from my mythical research that I found inspirational due to its symbolism was Paganism, so I did a separate illustrated mind map of aspects from it.

Mindmap (don't know how to rotate)


I did further mythical research, which comprised of finding tons of visual research from the internet and it was quite hard to find images I was happy with of things such as mermaids and fairies, but I found the site WeHeartIt quite useful, especially for the mermaid images. I put all the images on a word document that I could use for future reference. I selected several images from each of the elements to do sketches of, which are below:
Earth

Air



Fire

Water

Drawings influenced by the Chinese elements

The Chinese elements were ones that particularly stood out to me as I felt they had the most potential for developing into interesting drawings due to all of their symbols that link to the elements. Below is a piece of work I did researching three of the elements further. I chose those three elements as wood and metal (which are the other two) don't overlap with my original four elements of fire, water, air and earth.



Using this information as inspiration I went on to do two illustrations based on the elements of fire and water. Although in reality I did the illustrations before writing out the research work, the ideas and thought processes were still all in my mind.

Completed illustrations

Mythical Research

Throughout the research section I had been doing a small amount of mythical research and created the pieces of work below, which are inspired by the ancient ideas of the elements.

Water

Air

Earth

Fire
These didn't link that well with the rest of my project as I hadn't done much other mythical research so proceeded to do some more. This began with an in depth work document, which I went on to summarise with an illustrated mindmap, that explored the elements and their meanings in a variety of different cultures. 

Mindmap

Friday, 23 November 2012

Too Hot to Handle

I began my research work into fire with an experimental mixed media piece of art that included the materials of wax, wood, wallpaper, card and paint. Firstly, using one of my images from the original visual research to inspire me I drew a bonfire onto wallpaper which I'd stuck onto cardboard for support. Next I drew out the log areas and used a variety of wooden materials, such as matches and bamboo skewers I glued them down and built them up on the page to create a raised log effect. One of the more unusual things I've done in this project is using wax to create low relief surface texture on my painting. I melted candles on the saucepan and then poured and molded the wax into the desired flame shapes. Once this had dried I painted a fire over it using oil paints.

End Result

Whilst I'm really pleased with the outcome of this piece of work, it's really fragile and difficult to find somewhere to keep it as I'm scared it will break if I put it in my portfolio!!