Final piece |
Sarah Mozer - ART&PHOTOGRAPHY
This blog is based on my final project where I wrote my own brief which is: "Explore the contrast and mythical meanings between the elements of Air, Fire, Water and Earth, using a variety of media & find ways in which they can be incorporated into other situations, e.g. portraiture & figure, to create a mural based on these discoveries. I will also explore the connections between them and ways in which they can be linked & combined."
Thursday 28 February 2013
FINISHED!
There have been times when I really doubted this day would come, but I am now pleased to announce I have finished my outcome piece!!!!! All that's really left to do now is finish off my final evaluation and I've finished this project. I really really cannot believe that after a year and a half of work I'm pretty much done, I thought I'd be over the moon to be finished but part of me is sad it's over because I really have loved doing it! And now I present to you, my final piece:
Outcome - Stage III
It turned out I ended up making so many changes to my final piece after having had feedback from my tutor. She advised me that I should have used more of the unusual and interesting techniques I'd used throughout the project so I set to work planning out how to do this. I'd thought including too many techniques would over-complicate things but I can now see that if I'm careful it can still work.
For the air section I wanted to include spray painting as that had been one of the prominent techniques I'd used for air in the rest of the project. I designed and cut out a variety of stencils of birds and butterflies, which I then spray painted on in the same colour scheme I'd used previously in this project. I'm quite messy when it comes to spray painting, and the fact that it was windy didn't really help me either so I had to paint out some of the background with white acrylic paint, where the paint had blown.
I'd also drawn in a flame shape, which is shape of flame I'd initially planned to paint around the lion. Instead of painting straight onto the mural, I did a practice painting first on one of my previous lion drawings. For this I used oil paints over a base of melted wax candles which I'd molded to shape - a technique I've also used previously in this project.
Although I liked this painting, it would've been too overpowering to go on my actual mural design so I sketched out an idea with smaller flames before adding it on to my mural, along with the wax. The way I've painted on the flames make them look more like an extension of the mane and they merge much better with the drawing style of the lion.
I also painted in a smokey effect around the lion, using the spray paint that had blow into the surrounding areas, to help it blend into the air area above it.
The next thing I did was some water experiments with bleach and ink, but they didn't work so well because the surface of my mural was hardboard which was too porous and therefore too absorbent, so the ink just soaked into it and practically disappeared. The photos below show the ink before it was absorbed into the hardboard, but I didn't wash it off and it can now barely be seen on my final piece. Leaving the ink and bleach on the surface just added a little bit of an extra water-like appearance.
I thought drip painting would work well to enhance the appearance of the jellyfish so I did some experimenting with this technique before adding it to my mural.
Following this I planned how I could link the areas of water and air together a bit better and thought that some spray painting would work well. I drew out and cut out some stencils of starfish and combined these with some stencils of birds and butterflies I'd used previously and laid these out as a plan on my mural design before spray painting them on.
The last few changes I made were changing one of the mushrooms to a jellyfish - surprisingly enough it was the one in the water area; changing the drawing style of the mushrooms so they had a less cartoon-like style to them, which I did using conte crayons; adding in some colour to the background of the lion; and drawing in some more flowers. So my outcome piece is now FINISHED!! But I think I could maybe squeeze in one more post, so check out the next post to see my COMPLETED outcome piece!!
Messy Sarah |
Birds and butterflies |
Lion emerging from the flames |
Lion and flames |
Air and fire areas |
Water experiments |
Jellyfish experiments |
Drip painted jellyfish on mural |
After I'd done the spray painting |
Planning the spray painting |
The last few changes I made were changing one of the mushrooms to a jellyfish - surprisingly enough it was the one in the water area; changing the drawing style of the mushrooms so they had a less cartoon-like style to them, which I did using conte crayons; adding in some colour to the background of the lion; and drawing in some more flowers. So my outcome piece is now FINISHED!! But I think I could maybe squeeze in one more post, so check out the next post to see my COMPLETED outcome piece!!
Monday 25 February 2013
Outome - stage II
In my previous post I'd got to the stage where I'd planned the location of the background images and following on from that I drew them all in using mainly sharpie marker pens to achieve the result shown in the photo below.
I'd left the gnomes arms unfinished because I wasn't certain of exactly how I'd draw them and wanted to take the background images into consideration. I drew these on next, as well as extending the fairy's arm so that it doesn't look like it's just been cut off and adding in extra pattern in the fairy's wing in a similar style to the pattern on the butterflies' wings.
At this stage I originally thought I had completed my mural, but after uploading it for my tutor to see, she thought it could still be improved so there were more changes I made to it, which I will explain in a third post.
Addition of background images |
Changes made to the fairy and gnome |
Outcome - stage I
I started my outcome piece with a massive piece of hardboard measuring 85cm by 135cm, which with help from my dad, I covered completely in white emulsion. Following this I drew out the four main images of the mermaid, fairy, gnome and lion in pencil and drew out lines of where I planned the four sections of colour would go. I went over the pencil outlines in black marker pen so that my drawings could be painted over but would still show through.
I started with the water section, which I painted the background of using acrylic paint in blue tones with spray paint drips for an extra water effect and then drew on the mermaid using a combination of blue sharpie pens and fineliners. Apparently textured acrylic paint seems to be one of the few surfaces sharpies don't want to draw onto though!
Initial 4 drawings in black marker pen |
Mermaid drawing and background |
After I'd done the background of the mermaid I did the background of the gnome, which was also done using acrylic paints - brown, green and white - and drew the gnome on using twig and ink based on the drawing I'd done previously. I omitted the pipe because I thought it would be more appropriate at the location of a family friendly music festival.
Gnome drawing and background (and you can can also see my messy working area) |
Following the gnome I painted the background for the fairy using mainly white acrylic paint, mixed in with some pale blue and grey-ish shades too and then drew on the fairy with pencil.
Fairy drawing and background |
Before drawing the lion I had some experimenting that needed to be done. I had originally planned to draw the lion in sharpie pens so needed to experiment on a separate page whether this was something that would actually be achievable and my outcome of drawing the lion with sharpie pens wasn't great. Once I'd decided I would use conte crayons for this lion drawing too I experimented with different potential background colours on a separate page. The conte crayons didn't really show up against any of these background colours so I just chose to keep the background white and then possibly paint round my drawing of the lion at a later stage.
Lion drawing |
I hadn't done an exact plan of the locations of the background images and motifs to this was something I did next by drawing them onto my mural design with pencil and painting some areas out in white acrylic paint.
Planning the locations of background images and motifs |
This post seems to be getting rather long and picture heavy now, and I've come to the end of the first stage of how I designed my mural so it seems like a good time to move onto another post.
Planning my outcome piece
My outcome piece ended up taking so long to plan. I sketched out a lot of different compositional ideas on different shaped canvases, including various aspects of each of the elements. I had no idea where to start so thought I'd sketch a potential separate composition for each of the four elements and then start to see how I could bring it all together.
I included various aspects for each of the elements and then also looked at how I could include pattern. Following this I did some more sketches, inspired by some of my mural research, that tried to link all of the elements together, but ended up over-complicating things as can be seen in the images below.
Once I'd done all these sketches I could see that the ideas weren't really that successful. My favourite idea of these was incorporating the elements into the fairy's wing but my tutor suggested I looked back at the compositions I'd used for my initial mythical research sketches and use these to inspire my final outcome instead.
Using the four main images I planned to use in my final piece, which were the lion, the gnome, the fairy and the mermaid, I experimented with various layouts of these until I found one I liked.
I was happy with this layout idea so I went on to sketch it out and to start planning colour ideas and the materials and techniques I'd use for it.
Initially, I was going to use oil paint so the first colour swatches I did were with oil paint. I knew it took a long time to dry but had forgotten quite how long and seeing as I would be drawing on top of the paint and adding layers over it, I needed something much more fast drying so did some further colour experiments with acrylic paint.
The oil paint colour swatches were to experiment with which colour choices I would use to represent each of the different elements and to experiment with potential background colours too. I wasn't quite happy with the background colours so used acrylic paint to do further experiments for these.
Then using the relevant media I also added on drawings of the gnome, fairy and mermaid to see how they would word against the background colours.
Initial 4 composition ideas |
Composition ideas |
Further composition ideas |
Idea of incorporating all the elements into the fairy's wing |
Idea incorporating all the elements - too busy |
Using the four main images I planned to use in my final piece, which were the lion, the gnome, the fairy and the mermaid, I experimented with various layouts of these until I found one I liked.
Experimenting with layouts |
Final compositional sketch |
Oil paint colour experiments |
Acrylic paint colour experiments |
Sunday 24 February 2013
Gnome
The mythical creature I thought of based on the element of earth is a gnome. I had researched images of gnomes online and they were surprisingly difficult to find (possibly because they don't exist), but found some I liked eventually. I wanted to continue with the use of unusual and innovative materials so chose to use twig and ink because they're relevant to earth and are also interesting to use. Below is the outcome of this drawing.
Outcome of gnome drawing |
Saturday 23 February 2013
The Little Mermaid
Continuing with my development of the water section and influences from my mythical research, I thought an appropriate thing to draw would be a mermaid as that's the first mythical creature that comes to mind when I think of water. I firstly prepared the background of the page with bleach and ink.
Then using an image I'd found in my research as inspiration I drew out the mermaid outline in pencil, before adding in all the details in blue fineliner. The fineliner was just a really cheap one from Asda, so I think it's quite good how well the drawing has turned out and shows you don't always need expensive equipment.
One thing I'm quite proud of in this drawing is the detail in the detail, especially since it took forever to sit there crosshatching it all! Something I'm less pleased with though is the outcome of the face as I've drawn on too many lines, making the mermaid look old/weathered.
Background in bleach and ink |
Outcome of the mermaid drawing |
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