Planning my outcome piece

My outcome piece ended up taking so long to plan. I sketched out a lot of different compositional ideas on different shaped canvases, including various aspects of each of the elements. I had no idea where to start so thought I'd sketch a potential separate composition for each of the four elements and then start to see how I could bring it all together.

Initial 4 composition ideas

I included various aspects for each of the elements and then also looked at how I could include pattern. Following this I did some more sketches, inspired by some of my mural research, that tried to link all of the elements together, but ended up over-complicating things as can be seen in the images below.

Composition ideas

Further composition ideas

Idea of incorporating all the elements into the fairy's wing

Idea incorporating all the elements - too busy

Once I'd done all these sketches I could see that the ideas weren't really that successful. My favourite idea of these was incorporating the elements into the fairy's wing but my tutor suggested I looked back at the compositions I'd used for my initial mythical research sketches and use these to inspire my final outcome instead.

Using the four main images I planned to use in my final piece, which were the lion, the gnome, the fairy and the mermaid, I experimented with various layouts of these until I found one I liked.

Experimenting with layouts

I was happy with this layout idea so I went on to sketch it out and to start planning colour ideas and the materials and techniques I'd use for it.

Final compositional sketch

Initially, I was going to use oil paint so the first colour swatches I did were with oil paint. I knew it took a long time to dry but had forgotten quite how long and seeing as I would be drawing on top of the paint and adding layers over it, I needed something much more fast drying so did some further colour experiments with acrylic paint.

Oil paint colour experiments

 The oil paint colour swatches were to experiment with which colour choices I would use to represent each of the different elements and to experiment with potential background colours too. I wasn't quite happy with the background colours so used acrylic paint to do further experiments for these.

Acrylic paint colour experiments

Then using the relevant media I also added on drawings of the gnome, fairy and mermaid to see how they would word against the background colours.

Gnome

The mythical creature I thought of based on the element of earth is a gnome. I had researched images of gnomes online and they were surprisingly difficult to find (possibly because they don't exist), but found some I liked eventually. I wanted to continue with the use of unusual and innovative materials so chose to use twig and ink because they're relevant to earth and are also interesting to use. Below is the outcome of this drawing.

Outcome of gnome drawing

The Little Mermaid

Continuing with my development of the water section and influences from my mythical research, I thought an appropriate thing to draw would be a mermaid as that's the first mythical creature that comes to mind when I think of water. I firstly prepared the background of the page with bleach and ink.

Background in bleach and ink

Then using an image I'd found in my research as inspiration I drew out the mermaid outline in pencil, before adding in all the details in blue fineliner. The fineliner was just a really cheap one from Asda, so I think it's quite good how well the drawing has turned out and shows you don't always need expensive equipment.

Outcome of the mermaid drawing

One thing I'm quite proud of in this drawing is the detail in the detail, especially since it took forever to sit there crosshatching it all! Something I'm less pleased with though is the outcome of the face as I've drawn on too many lines, making the mermaid look old/weathered.

Under the Sea

Moving back onto the water section now... and back to the use of the unusual materials of bleach, ink and wax.  I started by drawing out jellyfish shapes onto the page and rubbing over them with a white wax candle to use it as a resist against the ink, followed by covering the whole page with blue Quink ink. Below is a photo of how it looked at this stage. It was difficult to see where on the page I'd put the wax as it's the same colour as the paper so I missed some areas, meaning some of the jellyfish had blue areas when they should have been white all over.

I painted out the blue areas within the jellyfish with bleach and then also used the bleach to add in more tentacles for the jellyfish and to add some detail to the background. As the bleach soaks into the page it creates an almost luminescent effect, which I feel is relevant for the jellyfish.

Before the bleach soaked in

Final outcome

I'm pleased with this piece of work and like its abstract nature as it's different in style from a lot of my other pieces of artwork.

Dragon

I messed around with the order a bit again and this piece of work is something I went back to at the end once I had spare time but is relevant to the fire section of the development. It is one of the pieces of work that I'm most proud of from during this project. I had planned in my timetable to do a drawing of a dragon and/or lion and since I had the time thought I may as well do the drawing of the dragon too.

I'd been looking into buying Letraset Promarkers for a while but was always put off due to their high price. Fortunately I'd recently bought a large selection of colours of Sharpie markers and a good price and learnt that they could be blended in a similar way to the Promarkers. Before using them for my dragon drawing I wanted to experiment first and drew a couple of daffodils with them to try out the technique.

Daffodil drawing

Once I was confident with the technique needed I begun work on the dragon drawing. I drew the outline in fineliner and then used a combination of Sharpie pens and charcoal to add the shading and tone.

Outline

Final outcome

I'm particularly proud of the outcome of this, especially since it's in a different style to the rest of my work - much more illustrative - and is done using a medium I have little previous experience with.

Rising from the Ashes

I'd used melted wax previously in my project and felt it was a clever technique with an unusual outcome so wanted to use it again when developing the element of fire. The main thing that comes to mind for me when thinking of the mythical aspects of fire is the phoenix, so I chose to do a painting of a phoenix incorporating the use of wax surface texture.

I melted the wax and spooned it out using two teaspoons and shaped it with my hands and the spoons. Following this I painted over it with oil paints to create a picture of a phoenix.

Wax underlay 

Final outcome of the phoenix painting

The problem with this painting is the markings on the background of it so I will have to find out a way to neaten this out.

EDIT: I've now gone back to this piece of work and edited it to neaten up the background. I originally planned to just paint over the marked areas but really struggled to get the colour exactly right so ended up re-painting the whole background. I think this has made it look so much better and more vibrant in contrast with its background.

Final outcome of phoenix - take two 

Rawr

An animal that I relate to fire is the lion, especially if it is roaring and has a massive mane. I think this is due to the similar colour palette of lions and flames and a lion's fiery personality. Having made the link between fire and lions, I chose to draw a lion as part of the development section of my project using conte crayons.

Final outcome of the lion drawing